Thursday Poem - Storytelling

Come in where the fire casts shadows

of longing. Sit near each other.

Hold hands

while I tell you a story that has never been

told, a story with music, a flute and singing,

a drum and dancing, a story of life’s circle

and the hungry wolves

waiting for caribou, and the caribou lingering
over a feast of lichen, and ravens

poised in the trees at the edges

of the wolves’ eyes,

a story with a grandmother spider
stealing a piece of the sun,
a story with medicine plants

and sacred weeds,

a story of how men and women

found each other, of how coyote

got his cunning, of arrow boy,

of the owl's beak tapping, always

the owl, the death bird,

and the mouse, timorous, scuttling

into its den, a story of you, and you,

and you. What does it mean

this dream fruit?

Nothing more than to peel and eat
the sweet juicy flesh, to let its seeds
become part of your spirit.

Long after I am gone you will

remember a story that never happened
how things that never were

came into being.

Dolores Stewart, from Doors to the Universe

Sunday, Saying Yes to the World

The true language of these worlds opens from the heart of a story that is being shared between species. For us to be restored to the fabric of this Earth, we are bidden to enter this tale once again through its many modes of telling, to listen through the ears of others to the mystery of creation, with its continually changing patterns, and to take part once again in the integral weave of the narrative. Might we not hear our true names if we learn to listen through the ears of Others? Through language, one can exchange one's self with other beings and in this way establish an ever-widening circle of existence.

Joan Halifax, The Fruitful Darkness

Sunday, Saying Yes to the World

... when we begin to tell stories, our imagination begins to flow out through our eyes and our ears to inhabit the breathing earth once again. Suddenly, the trees along the street are looking at us, and the clouds crouch low over the city as though they are trying to hatch something wondrous. We find ourselves back inside the same world that the squirrels and the spiders inhabit, along with the deer stealthily munching the last plants in our garden, and the wild geese honking overhead as they flap south for the winter. Linear time falls away, and we find ourselves held, once again, in the vast cycles of the cosmos -- the round dance of the seasons, the sun climbing out of the ground each morning and slipping down into the earth every evening, the opening and closing of the lunar eye whose full gaze attracts the tidal waters within and all around us.

 David Abram, Storytelling and Wonder

Sunday, Saying Yes to the World

 . . . For the greater part of human history, and in places in the world today, common resources were the rule. But some invented a different story, a social construct in which everything is a commodity to be bought and sold. The market economy story has spread like wildfire, with uneven results for human well-being and devastation for the natural world. But it is just a story we have told ourselves and we are free to tell another, to reclaim the old one.

One of these stories sustains the living systems on which we depend. One of these stories opens the way to living in gratitude and amazement at the richness and generosity of the world. One of these stories asks us to bestow our gifts in kind, to celebrate our kinship with the world. We can choose. If all the world is a commodity, how poor we grow. When all the world is a gift in motion, how wealthy we become.

Robin Wall Kimmerer, Braiding Sweetgrass: Indigenous Wisdom, Scientific

Knowledge, and the Teachings of Plants

Sunday, Saying Yes to the World

... the universe is not simply a place but a story, a story in which we are immersed, to which we belong, and out of which we arose.

This story has the power to awaken us more deeply to who we are.  For just as the Milky Way is the universe in the form of a galaxy, and an orchid is the universe in the form of a flower, we are the universe in the form of a human.  And every time we are drawn to look up into the night sky and reflect on the awesome beauty of the universe, we are actually the universe reflecting on itself.  And this changes everything.

Brian Swimme and Mary Evelyn Tucker, Journey of the Universe

Thursday Poem - Why We Tell Stories

For Linda Foster

1
Because we used to have leaves
and on damp days
our muscles feel a tug,
painful now, from when roots
pulled us into the ground

and because our children believe
they can fly, an instinct retained
from when the bones in our arms
were shaped like zithers and broke
neatly under their feathers

and because before we had lungs
we knew how far it was to the bottom
as we floated open-eyed
like painted scarves through the scenery
of dreams, and because we awakened

and learned to speak

2
We sat by the fire in our caves,
and because we were poor, we made up a tale
about a treasure mountain
that would open only for us

and because we were always defeated,
we invented impossible riddles
only we could solve,
monsters only we could kill,
women who could love no one else
and because we had survived
sisters and brothers, daughters and sons,
we discovered bones that rose
from the dark earth and sang
as white birds in the trees

3
Because the story of our life
becomes our life

Because each of us tells
the same story
but tells it differently

and none of us tells it
the same way twice

Because grandmothers looking like spiders
want to enchant the children
and grandfathers need to convince us
what happened happened because of them

and though we listen only
haphazardly, with one ear,
we will begin our story
with the word and

Lisel Mueller, from Alive Together

Thursday Poem - Why We Tell Stories

For Linda Foster

I
Because we used to have leaves
and on damp days
our muscles feel a tug,
painful now, from when roots
pulled us into the ground

and because our children believe
they can fly, an instinct retained
from when the bones in our arms
were shaped like zithers and broke
neatly under their feathers

and because before we had lungs
we knew how far it was to the bottom
as we floated open-eyed
like painted scarves through the scenery
of dreams, and because we awakened

and learned to speak

2
We sat by the fire in our caves,
and because we were poor, we made up a tale
about a treasure mountain
that would open only for us

and because we were always defeated,
we invented impossible riddles
only we could solve,
monsters only we could kill,
women who could love no one else
and because we had survived
sisters and brothers, daughters and sons,
we discovered bones that rose
from the dark earth and sang
as white birds in the trees

3
Because the story of our life
becomes our life

Because each of us tells
the same story
but tells it differently

and none of us tells it
the same way twice

Because grandmothers looking like spiders
want to enchant the children
and grandfathers need to convince us
what happened happened because of them

and though we listen only
haphazardly, with one ear,
we will begin our story
with the word and

Lisel Mueller

Lisel Mueller passed away early this year at the age of ninety-six, and the news of her passing cut like a knife. I have carried her poetry around with me for years and worn out at least three copies of her magnificent Alive Together.

Sunday - Saying Yes to the World

... when we begin to tell stories, our imagination begins to flow out through our eyes and our ears to inhabit the breathing earth once again. Suddenly, the trees along the street are looking at us, and the clouds crouch low over the city as though they are trying to hatch something wondrous. We find ourselves back inside the same world that the squirrels and the spiders inhabit, along with the deer stealthily munching the last plants in our garden, and the wild geese honking overhead as they flap south for the winter. Linear time falls away, and we find ourselves held, once again, in the vast cycles of the cosmos -- the round dance of the seasons, the sun climbing out of the ground each morning and slipping down into the earth every evening, the opening and closing of the lunar eye whose full gaze attracts the tidal waters within and all around us.

David Abram, Storytelling and Wonder

Sunday - Saying Yes to the World

Long before writing was invented, human beings read their world. They interpreted their dreams and the flights of birds. They read the intestines of sacrificial animals and the memories of their ancestors. They read the things that surprised them, or the things that reminded them of something else. Most of all, they read in the places where there were holes—spaces—gaps. They filled up the blanks of the universe, as though they were pages, with writing.  Leonardo advised aspiring artists to “discover” the pictures to be found in cracks on walls; Chinese sages were conceived as their mothers stepped into the footprints of unicorns; all of us make up our lives out of the cracks in the walls of our past memories and the unicorn prints of our futures. The making of a life is similar to the making of a text.  We live by reading our own stories.

Whatever we do in our lives, we make a text of our lives. Whether or not our stories belong to the shared patterns of the great, true stories—the myths—they are the texts from which we find out our relation to the divine, to one another and to the self.

Linda Sexson, Ordinarily Sacred

Sunday - Saying Yes to the World

Magic doesn't sweep you away; it gathers you up into the body of the present moment so thoroughly that all your explanations fall away: the ordinary, in all its plain and simple outrageousness, begins to shine -- to become luminously, impossibly so. Every facet of the world is awake, and you within it.

David Abram, Becoming Animal: An Earthly Cosmology

Sunday - Saying Yes to the World

There is no mystery in this association of woods and other worlds, for as anyone who has walked the woods knows, they are places of correspondence, of call and answer. Visual affinities of color, relief and texture abound. A fallen branch echoes the deltoid form of a stream bed into which it has come to rest. Chrome yellow autumn elm leaves find their color rhyme in the eye-ring of the blackbird. Different aspects of the forest link unexpectedly with each other, and so it is that within the stories, different times and worlds can be joined.
Robert Macfarlane, The Wild Places

Sunday - Saying Yes to the World

The true language of these worlds opens from the heart of a story that is being shared between species. For us to be restored to the fabric of this Earth, we are bidden to enter this tale once again through its many modes of telling, to listen through the ears of others to the mystery of creation, with its continually changing patterns, and to take part once again in the integral weave of the narrative. Might we not hear our true names if we learn to listen through the ears of Others? Through language, one can exchange one's self with other beings and in this way establish an ever-widening circle of existence.
Joan Halifax, The Fruitful Darkness

Sunday - Saying Yes to the World

Long before writing was invented, human beings read their world. They interpreted their dreams and the flights of birds. They read the intestines of sacrificial animals and the memories of their ancestors. They read the things that surprised them, or the things that reminded them of something else. Most of all, they read in the places where there were holes—spaces—gaps. They filled up the blanks of the universe, as though they were pages, with writing.  Leonardo advised aspiring artists to “discover” the pictures to be found in cracks on walls; Chinese sages were conceived as their mothers stepped into the footprints of unicorns; all of us make up our lives out of the cracks in the walls of our past memories and the unicorn prints of our futures. The making of a life is similar to the making of a text.  We live by reading our own stories.

Whatever we do in our lives, we make a text of our lives. Whether or not our stories belong to the shared patterns of the great, true stories—the myths—they are the texts from which we find out our relation to the divine, to one another and to the self.

Linda Sexson, Ordinarily Sacred

Sunday - Saying Yes to the World

...we are situated in the land the same way that characters are situated in a story.  Indeed, for the members of a deeply oral culture this relation may be experienced as something more than a mere analogy: along with the other animals, the stones, the trees, and the clouds, we ourselves are characters within a huge story that is visibly unfolding all around us, participants within the vast imagination, or Dreaming, of the world.
David Abram, The Spell of the Sensuous 

Sunday - Saying Yes to the World

Long before writing was invented, human beings read their world. They interpreted their dreams and the flights of birds. They read the intestines of sacrificial animals and the memories of their ancestors. They read the things that surprised them, or the things that reminded them of something else. Most of all, they read in the places where there were holes—spaces—gaps. They filled up the blanks of the universe, as though they were pages, with writing.  Leonardo advised aspiring artists to “discover” the pictures to be found in cracks on walls; Chinese sages were conceived as their mothers stepped into the footprints of unicorns; all of us make up our lives out of the cracks in the walls of our past memories and the unicorn prints of our futures. The making of a life is similar to the making of a text.  We live by reading our own stories.

Whatever we do in our lives, we make a text of our lives. Whether or not our stories belong to the shared patterns of the great, true stories—the myths—they are the texts from which we find out our relation to the divine, to one another and to the self.

Linda Sexson, Ordinarily Sacred

Sunday - Saying Yes to the World

.. the universe is not simply a place but a story, a story in which we are immersed, to which we belong, and out of which we arose.

This story has the power to awaken us more deeply to who we are.  For just as the Milky Way is the universe in the form of a galaxy, and an orchid is the universe in the form of a flower, we are the universe in the form of a human.  And every time we are drawn to look up into the night sky and reflect on the awesome beauty of the universe, we are actually the universe reflecting on itself.  And this changes everything.

Brian Swimme and Mary Evelyn Tucker, Journey of the Universe

Sunday - Saying Yes to the World

The universe is made of stories, not of atoms.
Muriel Rukeyser

Sunday - Saying Yes to the World

Long before writing was invented, human beings read their world. They interpreted their dreams and the flights of birds. They read the intestines of sacrificial animals and the memories of their ancestors. They read the things that surprised them, or the things that reminded them of something else. Most of all, they read in the places where there were holes—spaces—gaps. They filled up the blanks of the universe, as though they were pages, with writing.  Leonardo advised aspiring artists to “discover” the pictures to be found in cracks on walls; Chinese sages were conceived as their mothers stepped into the footprints of unicorns; all of us make up our lives out of the cracks in the walls of our past memories and the unicorn prints of our futures. The making of a life is similar to the making of a text.  We live by reading our own stories.

Whatever we do in our lives, we make a text of our lives. Whether or not our stories belong to the shared patterns of the great, true stories—the myths—they are the texts from which we find out our relation to the divine, to one another and to the self.

Linda Sexson, Ordinarily Sacred