I lean against the railing on the deck with an iced coffee in hand and watch fireflies frolicking through the shrubbery in the garden.
Midsummer has passed, and Lammas is only a few days away, but I am thinking of a watercolour (1908) by Robert Edward Hughes called Midsummer Eve. Hughes was acquainted with members of the Pre-Raphaelite Brotherhood, and their influence on his work shows. In his painting, a young woman stands in a forest clearing surrounded by a ring of fairies who are holding softly glowing lanterns. It is night, and the woods behind her are alight with fireflies. There is magic in the air.
In our darkened garden, there are the last cicada raspings of the day and a few crickets are doing their thing. Classical guitar (Rodrigo) wafts from the speakers on my neighbor's veranda, and a hound around the corner is singing soulfully to the waxing moon. A light wind blows through the old trees, and there is an occasional crackle from the lantern burning on the deck. By rights, a Pan flute or a harp should be playing too. Perhaps something by the Breton harper, Alain Stivell?
On nights like this, I feel ancient and young at the same time, and I know beyond a doubt that there is a wild, elemental magic at work in the great wide world. I can almost reach out and touch it, and that is comforting.