Some say it’s in the reptilian dance of the purple-tongued sand goanna, for there the magnificent translation of tenacity into bone and grace occurs.
And some declare it to be an expansive desert—solid rust-orange rock like dusk captured on earth in stone simply for the perfect contrast it provides to the blue-grey ridge of rain in the distant hills.
Some claim the harmonics of shifting electron rings to be most rare and some the complex motion of seven sandpipers bisecting the arcs and pitches of come and retreat over the mounting hayfield.
Others, for grandeur, choose the terror of lightning peals on prairies or the tall collapsing cathedrals of stormy seas, because there they feel dwarfed and appropriately helpless; others select the serenity of that ceiling/cellar of stars they see at night on placid lakes, because there they feel assured and universally magnanimous.
But it is the dark emptiness contained in every next moment that seems to me the most singularly glorious gift, that void which one is free to fill with processions of men bearing burning cedar knots or with parades of blue horses, belled and ribboned and stepping sideways, with tumbling white-faced mimes or companies of black-robed choristers; to fill simply with hammered silver teapots or kiln-dried crockery, tangerine and almond custards, polonaises, polkas, whittling sticks, wailing walls; that space large enough to hold all invented blasphemies and pieties, 10,000 definitions of god and more, never fully filled, never.
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Every word a singing pebble...